Monday, June 12, 2017

My Personal Favorite Internet Horror Gurus

I said in the last post that I was just completely immersing myself in horror and weird fiction. A major part of that has been online, and a big part of that has been through the Youtube horror/dark fiction community. It's a relatively small (I mean, small compared to, like, the video gaming community.) group, but there's enough there to keep me occupied. And... well, I don't know, maybe some of you would be interested in my opinion on them. I'm going to give it anyway, but if you're here, I think it's safe to assume you might be interested in what I have to say. Or on the subject. Or something. I don't know, and fuck this transition. Here's my list of channels that, for me, are good jumping off points into the Youtube horror scene.

Night Mind:
I'm starting off strong. Night Mind wasn't my first introduction to the scene (I think I started with Marble Hornets, which inevitably led me to Night Mind.), but I feel like he's the quintessential hub for the community. His channel began as analysis with the big three Slenderman series (Marble Hornets, EverymanHYBRID, and Tribe Twelve). From there, Nick Nocturne (Our theoretically supernatural host.) devoted himself to not only analyzing more popular series (Don't Hug Me I'm Scared, alantutorial, The Mirror, Lasagna Cat) and videos (Unedited Footage of a Bear, This House Has People In It), as well as occasional forays into other media (The SCP Foundation, Urban Legends). Bur according to him, his main goal nowadays is to introduce new webseries to the public. He's where I found out about Eckva, HOOH, Ben's Playhouse, and a ton of others. And with almost 160,000 subscribers, he's pretty good at getting that word out there. Combined with a very alluring, dark voice and just generally high quality productions (From the beginning. Very little is known about the actual man behind the four-eyed cat, but I have to assume he has some background in editing/narration/AV Tech/etc.), Night Mind is the big daddy of Youtube horror, and if you only grab one of these channels into your collection, I would personally recommend it be Night Mind.

Midnight Marinara:
Now, this is less for the actual Midnight Marinara series on the channel, and far more of a recommendation for Undercooked Analysis, a long-running creepypasta podcast. It combines readings of various creepypasta with analysis from people experienced in the genre and a healthy dose of humor (The worse the story, the more humor included.). This one doesn't hub out into video so much, but it is the best channel I've found thus far to lead you into that world of creepypasta that is so important to the internet horror world.

SlimeBeast:
Now, SlimeBeast is not one I love at the same level as Night Mind and Midnight Marinara. A lot of what he does, I just can't totally jive with. So he's not exactly one of my favorites, but I think he is very important and very influential. He's a very successful, well-known creepypasta writer, and does mostly readings on his own channel. Not my cup of tea. But he does go into a lot of the more overarching content, and having a creator do that lends a unique perspective on that type of content. He sometimes goes too far for my tastes, and comes off a little bitter and angry. But some people will love his particular style, and he is still very worthwhile to check out.

Nyx Fears:
Now, this one's going to be short. Nyx isn't exactly an internet horror guru. Instead, he's a horror guru working on the internet. He covers a lot of modern major releases like Get Out and The Babadook. But he also, if you're looking at it as a writer or other creator, brings a nice look at everything. He understands a lot about film theory and structure, and can deliver that information through the lens of horror. Perhaps he doesn't belong on this list, but I do love Nyx and think he's a worthwhile channel to check into.

ScareTheater:
Now, the rest of these channels I found through Night Mind, in fact. Not ScareTheater. I will always prefer Night Mind above everything else, but a lot of the difference here is length. Nick Nocturne puts out long content, but puts it out considerably less often. ScareTheater's videos run anywhere from 3-7 minutes on average. ScareTheater covers a lot of short content, too. Videos like "Obey the Walrus" and "Mareana Mordegard Glesgorv." His content on longer-running series is, in my opinion, just not up to snuff, but I will happily queue up two dozen of his short videos and run through them while I'm working.

There are others who touch on the community that I think really deserve attention, but maybe don't quite fit the mold. Tats Top Videos has some excellent creepy content, but it's not the channel's main devotion. Arkham Reporter and The Exploring Series both have a fair amount of content if you're looking for Cthulhu/Lovecraft information. My last one is a real departure, but Pop Culture Mythology/Mixology is a lovely channel... or was, anyway. It's been six months, which is a death knoll for most Youtube channels. I'm holding out hope, though, because his content was so good. Not all horror, but... well, I guess I'm putting out a bit of a PSA. Not pressuring him to return, but maybe he'll feel better about continuing if he knows people are interested? I don't know. But, one creator to another, I love the content he created. A lot of people did, I imagine. So if it's life, I understand. But if you happen to read this and are just discouraged... you make good content. That's all I can say to you. You make good content.

So all that aside, that's what I've got. Hopefully it can help you out and, if you have any that I missed and just really need to know about, leave them in the comments below.

Voss

Friday, May 19, 2017

The Creeping Darkness Sithers... Erm.... Update

Hello from the other side!

Of the screen. Jeez, I'm not dead. And if I were, I'd like to think I'd have something a little cleverer than that.

I digress. How are all of you? I haven't posted in a little over two weeks, but it feels like so much longer than that. A lot has happened since that last post, both in the world and just in my life. For the world stuff, I'll leave it to you to find out everything that's been going on (There have certainly been some things worthy of a distraction lately.).

As for me? Well, I've been reading a bit more than usual (Thankfully), especially an anthology I nabbed from the library – The Weird, compiled by Jeff and Ann Vandermeer. Their names will be really well-known to anyone who enjoys weird and new weird fiction, as they've implanted themselves firmly into the middle of those two genres.

I've taken to reading them specifically because I love those genres. Well, I always have, and I've talked about it in the past, especially new weird. But until recently, I'd never really tried writing anything even close to them. But I have and I have to say I'm in love.

I fully believe that authors evolve as they write and they slowly sink into niches within their chosen genres. Well, that's what's happened. At least for now. I also don't really think those are permanent changes, necessarily. But I do foresee a lot of Lovecraftian fiction, weird fiction, and just generally darker, more disturbed pieces coming from me in the near future. It's under my skin… maybe literally.

Haha. Horror humor. I'm definitely not infested by mind-controlling insects…

On that same front, I have news… almost. I almost have news. I'll have news in about a week or so, but suffice it to say I've made it into a rather prestigious anthology with a Lovecraftian sword and sorcery story. More news on that pretty shortly.

I mostly just wanted to give you guys an update to let you know that I'm still plugging away. I will be finishing Evenstad Media, unless plans really, really change. Book five is in the editing queue as we speak, so if you're waiting for that, no worries.

I will be putting the King Jester Trilogy back up for sale. They need to be revised and I need covers for them, but then they'll be available once more.

But I will also, at some point, begin going darker in the books too. Creepier. Eerier. Skin-crawlier. Now, I know my work has never been unicorns and rainbows, exactly, but it hasn't been dealing with quite the same themes as I've been playing with lately. So if you've been craving something with a little more oomph, I can (Hopefully.) provide that for you in the coming months.

Now, that's really not to say everything is going to be that way. But it is going to happen. So fair warning… or fair notice, if you're into it, I guess.

And stay tuned to the blog and my Facebook and whatnot for news on that anthology next week.


Voss

Friday, April 28, 2017

New Anthology: Alternative Truths

You may have heard about the 45th President of the United States a couple times.

Maybe.

It's possible.

Well, so did a bunch of authors. A bunch of authors who wanted to do something about... that whole thing. But what the hell were those authors to do?

They were to write, of course. Hence, Alternative Truths was born. 24 tales from authors who #standwithher.

24 glimpses into the potential futures, from the hopeful to the hopeless (Guess which one mine was? Hopeless. The answer's hopeless.).

"Nevertheless, she persisted," is our favorite slogan to come out of all this, and we do miss all those complete sentences. If you're lucky, you might even find a few in the stories.

Stand up. Resist. And get some great fiction all at the same time.



Monday, March 27, 2017

4 (Or 5?) Must See Animated Features

So over the weekend, David Gerrold (The guy who wrote "The Trouble with Tribbles) shared his list of "Essential Animated Films." You can (Hopefully) see that over on his Facebook page... assuming he hasn't changed his privacy settings again.

I thought he had some good choices. I can agree with a lot of them… but I still felt compelled to shamelessly steal the idea present my own list, for comparison and for posterity and all that jazz.

Now, as with David Gerrold's original list, this isn't in any order of magnitude or anything like that. The first movie isn't necessarily worse than the last one. But I do want to separate out one movie from the list, since I can't fully commit to calling it an "animated film." That movie is Who Framed Roger Rabbit? It's silly. It's campy. But it's brilliant. The animated portions are gorgeously created, Bob Hoskins was genius, and the combination of live action and animation was handled beautifully well. I really can't complain about it.

Now… onto the list proper!

Fantasia/Fantasia 2000
I'm cheating already. It's true. Not only is this two movies, but they're both technically a combination of live action and animation… which I said was a no-no.

Hear me out.

The Fantasia duology really need each other to make this list for me. Fantasia is one of the first forays of "modern animation" into making something for adults. It took itself very seriously, played classic pieces with sophisticated animation that still holds up.

Fantasia 2000 is really aiming at that children's market, and it suffers for it. As a whole, it's a worse piece of cinematic history than its predecessor… but the animation itself is just ballsier. It's more intense than the pieces in Fantasia, and in a lot of instances, much more beautiful. So I have to put them both here for this to really work. Watch them both. I mean, come on, they're both on Netflix.

Titan AE
Titan AE is what happens when you get Gary Oldman, Don Bluth, and Joss Whedon working on a project together. And if you're not sold on just that… what the hell is wrong with you?

Okay, okay, let's get into it: one of my biggest issues with Gerrold's list was the absolute lack of Don Bluth. In my opinion, you can't have a "quintessential animation" anything and not include Don Bluth.

But why this one? It was a flop when it was released. It's positively dripping with some kind of funky 1990's slime substance (Probably hair gel.). What makes it so worth seeing 17 years after the fact?

This movie is genius. It has humor. It has drama. It has sweeping spacescapes. It has a truly terrifying enemy. And, unlike a lot of movies this old, the animation actually holds up. So does the story. You can put Titan AE on now, and it's still an incredible experience.

The Incredibles
On this one, Gerrold and I can agree wholeheartedly. The Incredibles is, perhaps, the single best superhero film that's ever been made. Sure, I love Burton's Batman and the X-Men franchise… but they don't hold a candle to this.

Superheroes in real life, dealing with real things. What happens when someone with super-strength feels like they're losing control? Who does make all these fancy costumes? What about the massive damage to buildings and infrastructure? The Incredibles actually addressed those problems, and I think, beyond just being brilliant animation, that's really something good for the genre as a whole. It's a new direction, and that's never something I'll complain about.

Spirited Away
Now, when it comes to Ghibli and Miyazaki, I vastly prefer Howl's Moving Castle to basically any of his other films. But I can't deny the pure social and cultural impact of Spirited Away. For Western audiences, this is the one that put Miyazaki on the map. Winner of multiple awards, including the Oscar for Best Animated Feature. And it deserves all of those accolades. For many people, Spirited Away is what really introduced them to the idea of anime that wasn't Digimon and Pokemon and "Which one is which, now?"

For my money, I would rather see Howl or Princess Mononoke, but Spirited Away will never disappoint.

Now, this list is obviously far from exhaustive. For pure social impact, it should have The Lion King on it. Inside Out could easily make this list, too. Shrek. The Nightmare Before Christmas. The first eight minutes of Up. The Iron Giant. Sinbad: Legend of the Seven Seas. Atlantis: The Lost Empire. These are all movies that, for one reason or another, could be here.

But without limitations, this could be a list of "Disney Films that Disney Made Because Disney" or "Look at What Pixar Has" or "Hayao Miyazaki is Amazing!" And sure, those are all valid lists.

So, perhaps this isn't quintessential as much as just… watch these. Don't forget about these. In the ever-growing sea of animated, feature-length productions… these four/five movies might get forgotten in the slew of Zootopia and WALL-E. So… offer them a hand up and take a look at them.

What are your "must-see" animated movies? I'm always on the lookout for new ones.


Voss

Thursday, March 16, 2017

Top 5: Modern SF/F Magazines

I've often spoken and written about how short fiction is the life blood of sci-fi and fantasy. I grow more convinced of this all the time. Almost every great, well-known SF/F author has a massive backlog of short stories that you could peruse. Hell, some of them made their entire living on short fiction.

But that lifeblood doesn't flow if nobody can pay for those short stories… so magazines. People have to read magazines for the magazines to pay authors. And there's a lot of them out there. The list I have here is in no way extensive. These are just my five favorite SF/F rags this week. They're all magazines I think deserve a little support, because they do good work. They put out quality fiction, and that should be rewarded, in my opinion.

5: The Magazine of Fantasy and Science Fiction
It would be hard to do this list without mentioning this particular magazine. It's been around since before the web (This marks year 67 of publication), and it's collected a lot of just straight-up quality pieces in that time. It's hard to apply a general qualifier to all of the work they publish, as it really ranges across the board. The only thing that ties it all together is how plain-old good the fiction is.

You can get a subscription to them starting at around $37. Why such a steep price? We're talking physical magazines in your mailbox.

4: Daily Science Fiction
While the whole body of work isn't going to be to everyone's tastes (They publish five days a week, 52 weeks per year.), something in DSF is going to appeal to everyone. My main reason for including this one is that it's free. Completely free, a short (Very short) story delivered to your inbox five days a week, entirely free of charge.

So if you want to subscribe, just go over here.

3: Shimmer
Shimmer is a weird one. I'm not judging – they'll admit it. Their fiction is beautifully written and stylistic. A lot of magazines focus on how their fiction isn't pretentious and doesn't take itself to seriously. Shimmer is pretentious and it does take itself seriously. Very seriously, in the best of ways. It's the very fact that the authors take their work so seriously that makes Shimmer such an incredible magazine to read.

Shimmer is just $15/year, so why not give them a chance?

2: Fireside Magazine
Shimmer is strange. Fireside is strange, but more accessible to the general populous. Very heavy focus on character and concept If those are the kinds of things you like to see in your stories, I really can't recommend Fireside heavily enough. They're very selective, and it really shows.

They're also free, but they pay their authors very well, and they're entirely kept afloat by crowdfunding, so consider throwing something atthem, if you enjoy their work.

1: Clarkesworld Magazine
Now, I love all the magazines before this, as well as a lot of others that didn't make the list (Basically just because I didn't have space.). But this one was always going to be on the list. It was always going to be number one on the list. If I had to pick one SF/F mag to read for the rest of my life, it would be Clarkesworld. There's just something about these stories. They are purely character-driven, more than any other selection of short fiction I've ever seen. Their stories are consistently up for various awards when that season rolls around. It's one of very few sources of fiction that has provided me with a story that changed the way I think about science fiction and writing and the way short stories should be structured.

They run as low as $2.99 per issue, so it's pretty hard to beat that, in my opinion. I can't recommend a Clarkesworld Subscription enough. I really, really can't.

And that's my little primer on SF/F mags. As I said, there are a lot more of them out there that I didn't get to put in. Maybe I'll put them into another post… or two… or three. However many it takes.

Happy Thursday, everyone!

Voss

Wednesday, March 1, 2017

On "Arrival," Sapir-Whorf, and "Bad Science"

So, let's just get this one out of the way: there are probably spoilers in here for Arrival. So if you haven't seen it and you're planning on it, you've been properly warned.



Now that's done, let's get right into it – Dumbledore dies at the end. I know, I didn't see it coming either. It was a really weird change of pace from the aliens and science and spaceships and shit, but who am I to question someone else's artistic vision?

But really, Arrival was one that I was initially very unenthused about (Jesus, that word looks weird. I don't think I've ever seen "unenthused" written down before…). It looked like one more first contact movie, and one that was going to be taking itself a little bit too seriously to really hit any of the magic that it could have had. So of course, I didn't see it in theaters (Also because I don't watch movies in theaters. I think the last one I saw on the big screen was The Force Awakens.).

Then I found out the main character was a linguist. As a writer and as a general nerd, that really got my attention. I think we need more sci-fi with actual scientists as main characters. People doing science in science fiction shouldn't be as hard to find as it currently is. So that convinced me to watch it. Plus, at two bucks, it was more than worth the rental price (Bless those little DVD machines that sit in grocery stores, and bless whoever decided they wanted to put one in Podunk-ville, BFE Washington.).

Now, this is where we get into real spoilers, so your last warning. I won't tell you again. Flee now.

Okay, so the actual premise for Arrival is something known as the Sapir-Whorf Hypothesis. There's lots of articles online and lots of information about it, so I won't go into great detail on the specifics or the history. You need to know two things about it for this article to really make sense.

1: The Sapir-Whorf Hypothesis, in a nutshell, states that language shapes human perception of the world. A person who learned about the world in Chinese will have not just different words, but a different experience of life.

2: The Sapir-Whorf Hypothesis is, at best, heavily disputed and, at worst, a crock of shit. It all depends on which linguist you ask, but the linguists who subscribe to Sapir-Whorf are few and far between.



Why didn't they know about this? How could their science be so bad? That ruins the entire movie! God damn you Hollywood, stop contributing to the dumbing down of America!

I'm sure some people out there would have that reaction learning this information. It did initially strike me as odd when I looked into it, I admit, but I had to stop and question why… and hence, we have this entire post.

I'll get this out of the way now, then explain it: I don't think using Sapir-Whorf as the basis of the movie in any way devalues the film.

Now yes, you could argue that we should be following modern trends in linguistics if we're going to make a movie about linguistics (Also: let's just stop and appreciate the fact that there's a big-budget, popular film about linguistics out there now.). But again, I have two points to make.

1: Science fiction has always, at its core, been an exploration of possibility. What if you traveled 10,000 years into the future of Earth? What if dragons were genetically created? What if the Sapir-Whorf hypothesis was not only valid, but correct?

2: Sapir-Whorf has to be correct for Arrival to get its message across. It's about determinism, and Sapir-Whorf provided an opening for them to explore that (I'm skipping steps in there, obviously, but that's the simplified version.).

Some people will posit that, because it's not realistic enough, it's just no good. But really, did any of us expect a realistic movie about first contact? No. But what we got was, if questionably possible, very intellectually stimulating. There aren't many movies out there anymore that exist entirely to make you question things, to make you think about the world in-depth. They tend to be considered "too risky" for big production companies, I would imagine. They can make much more money by pumping out Fast­2(Furious + 47X) or whatever naming convention they go with this time around (Seriously, those movies are a mess and a half. I enjoy them… but what ever happened to 1-2-3-4-5-6-7?).

My hypothesis that I'm sure will be proven wrong? Arrival opened a door that we can start to get some more intellectual works through. We can start to have stimulating thought experiments and breakdowns of science in the two hours we spend glued to the screen watching the next big-name flick.

But even though that's almost definitely not correct and almost certainly won't happen, I think Arrival is an important movie, both for its daring and for me personally. It dared to be smart. And it made me think. It got me thinking. I hope it gets everyone else thinking, too, but it sent me down this particular rabbit-hole.

Being smart is fun. Learning is fun. Knowing things is fun. Sometimes we just need a bit of a reminder of that, and I think Arrival—in large part thanks to its use of the Sapir-Whorf Hypothesis—can be that. It can do that.

To me, that's worth more than all the correct hypotheses in the world.


Voss

Thursday, February 9, 2017

5 Quintessential Short Stories

Well, it's still snowing and still cold. If I keep mentioning that, and then I die in the snowpocalypse, this will… well, all the mentions of the weather will probably make this actually horribly dull to read, in the end. So let's get past that.

You may have noticed that I've been talking about short stories a lot lately. I've mentioned that I refocused to increase my short story output. That involves reading a lot of them, and thinking about them a lot. And I've been thinking about sort of the quintessential list of short stories. Or at least my list of quintessential short stories. Some of them are new, a lot of them are old, and they're not in any quantifiable order. I just wanted to put them out in the world for people to see. And there's only five, because I would have been here all day if I didn't give myself some kind of limit. There are obviously many, many more stories out there worth the time to read.

1: Tlön, Uqbar, Orbis Tertius
This is one that still haunts me with its… everything. It's a brilliant piece of magical realism that really deserves to be read and scrutinized and discussed. It has been, but not by everyone. It resides in Yale and Harvard classrooms instead of in raucous bars and cocktail parties. Which is where it belongs, because it's really a story for everyone.

2: Berenice
I pretty regularly cite this as the best of Poe. It's body horror. It's eerie. It deals with some strange family relationships (And by strange, I mean potentially illegal by modern standards.). There's insanity. It's everything there is to love about Poe, all together at last. It's so dear to me, in fact, that I wrote an homage to it (Here, if you're interested.).

3: Today I am Paul
This is a recent one. It was up for a Hugo last year, but I feel no remorse putting it on this list. Poignant, well-written, and surprising. It's an emotional ride through the future well worth taking.

4: For Sale: Baby Shoes, Never Worn
That's both the title and the entirety of the text. Six words that really show what language can convey. I've always said the goal of flash fiction is not to tell a story, but to capture an emotion, and this is one that succeeds beyond belief.

5: Flowers for Algernon (Can't give you a link for free on this one. Still under copyright!)
Absolutely one that must be read. I've been through the short story as well as the novel that spawned from it. While I will always recommend the novel version of this, the short story completely deserves its place on this list.

Those are my five. They'll probably change by this time next year. Or even next month. But for now, this is the list. What are your short story recommendations for me (And the rest of the comments.)?

Voss